csix?

charles lives in san francisco and works in marketing. he's a dragonboater and amateur marathoner. he drinks a lot of coffee, mostly because the caffeine doesn't affect him. he also reads a lot. he no longer plays video games because he fried his last three video cards. he also likes to use brackets and start sentences with lowercase letters. appositives are his favorite language tool. the more complex your vocabulary is, the more charles will like you. it also helps to be able to differentiate between There, Their and They're. his favorite colors are black and orange, mostly because they're the colors of the San Francisco Giants, and also, conveniently, the colors of his dragonboat team, Ripple Effect. speaking in the third-person isn't something he usually does, but he thought it would be interesting, at least for this gigantic paragraph.

the term "csix" was taken from his first ever aol screen name, "c6freejack," but since no one knew of the 1980s epic called "freejack," which starred such dinstinguished actors as mick jagger & emilio estevez, he decided to leave that portion behind. there is no relation to the social network of high tech professionals of the same name, which makes things confusing, but then again simplicity wasn't the objective.

vestige

It’s hard to maintain friendships with those you barely see. There really aren’t very many people who you can lose touch with for long periods of time and then suddenly pick up right where you left off.

So when I get a call from people I haven’t seen in a while, I go. College friends, people I could’ve known in high school, people from the east bay, old paddlers, I try to keep everyone relevant.

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[These were all kind of a while ago, I'll admit, but a lot happens in a month.]

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Pretty much every time you see these kinds of people it goes like “how have you been, it’s been hella long!” So you dig deep to remember everyone’s names, the enormity of the epic adventures you all had previously and whatever you’d recently heard about them on facebook. You string all that into some type of narrative to get past those awkward few minutes of catching up, and then you play it by ear.

When the catching up is officially done, you’re in the present and officially free to act like you’d never parted in the first place. Then you repeat the process when you see them again, months or years later.

And as much as I’d like to see everyone again, it remains impossible, what with budgets and schedules and workloads and babies and stuff. We’ve all grown up and apart, and those of us with the cameras are the only ones observant enough to take notice.

But if you don’t want to lose these people forever, you have to try.

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